Jackson does not seem to understand that there are people who haven't absorbed the ''Rings'' chronology into the entirety of their beings. Even though the first film took in enough cash to jump-start the flagging United States economy single-handedly, Mr. It is a daring gambit to have viewers enter a movie bearing such complex preceding action with so little information. But this scene is used to set ''The Two Towers'' in motion. By doing this he simultaneously answers those who complained that too much of the previous ''Rings'' was about setup.Ī brief recap of a climactic battle between the friendly wizard Gandalf (Ian McKellen) and a fire demon - one of many climactic battles from ''Fellowship'' - is shown near the start. Jackson's ploy in this beautifully considered epic is to give viewers the same feeling of confusion that his characters are experiencing. Jackson uses all his talents in the service of that reverence, creating a rare perfect mating of filmmaker and material. Never has a film so strongly been a product of a director's respect for its source. Tolkien's ''Lord of the Rings'' trilogy manifests itself in a gripping, intense fashion for the second of the film adaptations, ''The Two Towers.'' It may be the first sequel that does not bother to reprise the major plot elements of its predecessor immediately the plan is to simply drop us right into the action.Įven for those deeply immersed in the material, this stratagem creates a few moments of apprehension - the same disconcerted quality that the hobbits Frodo (Elijah Wood) and Sam (Sean Astin) are experiencing on their journey this mission began in ''The Fellowship of the Ring'' when Frodo was entrusted with the ring that gives its bearer enormous powers and, incidentally, begins the end of life in Middle Earth, as was indicated in the first ''Ring'' movie, ''The Fellowship of the Ring.'' The director Peter Jackson's scrupulous devotion to the spirit of J.
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